woodcuts & Linocuts
Auschwitz Begins…
2009. Woodcut on Kitikata paper. Signed, dated and inscribed A/P, lower left. 15 1/2" x 52" (39.4 x 132.1 cm). Proof before an estimated edition of 25 impressions. Reproduced in Cruel, p. 23.
Lost Whale Swims Up the Thames
2006. Colored woodcut on natural Kitakata paper. Signed and dated, lower right, and numbered, lower left. 15 7⁄8 ̋× 19 7⁄8 ̋ (40.3 × 50.5 cm). From an estimated edition of 10 impressions.
Wheel of Fortune
2016. Linocut on cream Rives paper. Signed and dated, lower right, and inscribed A/P, lower left; red bird stamp, lower left. 9 1⁄2 ̋× 8 ̋ (24.1 × 20.3 cm). Proof before an estimated edition of 100 impressions. Reproduced in The Animals’ Vegan Manifesto, p. 39.
Meaty Bacteria
2016. Linocut on thin white Rives paper. Signed and dated, lower right, and inscribed A/P, lower left; red bird stamp, lower left. 7 1⁄4 ̋× 6 ̋ (18.4 × 15.2 cm). Proof before an estimated edition of 100 impressions. Reproduced in The Animals’ Vegan Manifesto, p. 30.
Stop Violence
2016. Linocut on cream Rives paper. Signed and dated, lower right, and numbered, lower left; red bird stamp, lower left. 9 3⁄8 ̋× 7 7⁄8 ̋ (23.8 × 20 cm). From an estimated edition of 100 impressions. Reproduced in The Animals’ Vegan Manifesto, p. 84.
Unpresidented
2017. Linocut on thin white Rives paper. Signed and dated, lower right, and numbered, lower left; red bird stamp, lower left. 10 ̋× 7 1⁄2 ̋ (25.4 × 19.1 cm). From an estimated edition of 100 impressions.
Tweeter in Chief
2017. Linocut on thin white Rives paper. Signed and dated, lower right, and numbered, lower left; red bird stamp, lower left. 11 ̋× 8 1⁄2 ̋ (27.9 × 21.6 cm). From an estimated edition of 100 impressions. Reproduced in The Nation.
Ideas
2017. Linocut on white Rives paper. Signed and dated, lower right, and numbered, lower left. 11 1⁄8 ̋× 8 1⁄2 ̋ (28.3 × 21.6 cm). From an estimated edition of 100 impressions. Reproduced in The New Republic.
Swamp Street
2018. Linocut on heavy off-white wove paper. Signed and dated, lower right, and numbered, lower left; cat stamp and Murray printer’s chop, lower left. 11 1⁄4 ̋× 8 1⁄2 ̋ (28.6 × 21.6 cm). From an estimated edition of 100 impressions.
She Was Just Following Orders (Gina Haspel)
2018. Linocut on thin white Rives paper. Signed and dated, lower right, and numbered, lower left; red bird stamp and Murray printer’s chop, lower left. 18 1⁄4 ̋× 12 ̋ (46.4 × 30.5 cm). From the series “Just Following Orders (Gina Haspel).” From an estimated edition of 100 impressions.
They Were Just Following Orders
2018. Linocut on off-white Rives paper. Signed and dated, lower right, and numbered, lower left; red bird stamp and Murray printer’s chop, lower left. 12 ̋× 18 1⁄4 ̋ (30.5 × 46.4 cm). From the series “Just Following Orders (Gina Haspel).” From an estimated edition of 100 impressions.
Language of the Dictator
2019. Linocut in two colors on heavy off-white wove paper. Signed and dated, lower right, and inscribed A/P, lower left; red dog stamp, lower left. 18 ̋× 12 7⁄8 ̋ (45.7 × 30.5 cm). Proof before an estimated edition of 100 impressions.
Big Pharma
2019. Linocut on thin cream wove paper. Signed and dated, lower right, and numbered, lower left; red grasshopper stamp, lower left. 12 1⁄8 ̋× 9 7⁄8 ̋ (30.8 × 25.1 cm). From an estimated edition of 100 impressions.
Strike of the Pollinators
2019. Linocut on thin cream wove paper. Signed and dated, lower right, and numbered, lower left; red grasshopper stamp and Murray printer’s chop, lower center. 11 1⁄8 ̋× 8 5⁄8 ̋ (28.3 × 21.9 cm). From an estimated edition of 10 impressions.
ICE Baby
2018. Linocut on off-white Rives paper. Signed and dated, lower right, and numbered, lower left; red bird stamp, lower left. 11 1⁄8 ̋× 8 5⁄8 ̋ (28.3 × 21.9 cm). From an estimated edition of 100 impressions.
Enemy of the People
2019. Linocut on off-white Arches paper. Signed and dated, lower right, and inscribed A/P, lower left; red Ignatz stamp, lower left. 10 1/4" x 8 1/2" (26 x 21.6 cm). One of a few proofs outside the edition of 75 impressions.
Impotus
2020. Linocut on heavy white laid paper. Signed and dated, lower right, and inscribed A/P, lower left; red mouse stamp, lower left. 29 7⁄8 ̋× 20 ̋ (75.9 × 50.8 cm). Proof before an estimated edition of 40 impressions.
A Topsy Turvy World
2018. Linocut on heavy white wove paper. Signed and dated, lower right, and inscribed A/P, lower left; Murray printer’s chop, lower left. 18 ̋×13 ̋ (45.7 × 33 cm). Proof before an estimated edition of 40 impressions.
Doctor MAGA
2020. Linocut on paper. Signed and dated, lower right, and numbered, lower left. 10 1⁄4 ̋× 8 5⁄8 ̋ (26 × 21.9 cm). From an estimated edition of 100 impressions.
The Dim Reaper
2020. Linocut on paper. Signed and dated, lower right, and numbered, lower left. 10 3⁄8 ̋× 8 1⁄2 ̋ (26.4 × 21.6 cm). From an estimated edition of 100 impressions.
Man in the Zoom
2020. Linocut on paper. Signed and dated, lower right, and numbered, lower left. 11 5⁄8 ̋×8 3⁄8 ̋ (29.5 × 21.3 cm). From an estimated edition of 100 impressions.
He Accuses Americans of Being Anti-Fascist
2020. Hand-colored linocut on white Rives paper. Signed and dated, lower right, and numbered, lower left; red mouse stamp, lower left, and Murray printer’s chop, lower center. 10 1⁄4 ̋× 8 1⁄2 ̋ (26 × 21.6 cm). From an estimated edition of 100 impressions.
Social Distancing
2020. Linocut on paper. Signed and dated, lower right, and numbered, lower left. 10 3⁄8 ̋× 8 5⁄8 ̋ (26.4 × 21.9 cm). From an estimated edition of 100 impressions.
Please Don't Hurt Us
2020. Linocut on white Rives paper. Signed and dated, lower right, and numbered, lower left. Red chicken stamp and Murray chop, lower left. 10 3/8" x 8 1/2" (26.4 x 21.6 cm). From an estimated edition of 100 impressions.
Non-Violence/Dance of Death
2020. Woodcut with hand-coloring on white wove paper. Signed and dated, lower right, and numbered, lower left. Red Bird stamp and Murray chop, lower left. 10 3/8" x 8 1/2" (26.4 x 21.6 cm). From the "Dance of Death" series. Hand-colored proof before an estimated edition of 25 impressions.
QAnon/Dance of Death
2020. Linocut with hand-coloring on white Rives paper. Signed and dated, lower right, and numbered, lower left. Red Bird stamp and Murray chop, lower left. 10 3/8" x 8 1/2" (26.4 x 21.6 cm). From the "Dance of Death" series. Hand-colored proof before an estimated edition of 25 impressions.
Fueling Extinction
2020. Woodcut in two colors on cream Kitakata paper. Signed and dated, lower right, and inscribed A/P, lower left; red bird feeder stamp and Murray printer’s chop, lower left. 25 1⁄2 ̋× 23 1⁄2 ̋ (64.8 × 59.7 cm). Proof before an estimated edition of 40 impressions.
We Are All in the Same Boat
2005. Colored woodcut on natural Kitakata paper. Signed and dated, lower right, and numbered, lower left. 15 5⁄8 ̋× 11 1⁄4 ̋ (39.7 × 28.6 cm). From an estimated edition of 50 impressions.
Horrible Assassination
2012. Woodcut in black and red on thin cream Japan paper. Signed and dated, lower right, and inscribed A/P, lower left. 14 ̋× 15 ̋ (35.6 × 38.1 cm). Proof before an estimated edition of 100 impressions.
The Grasshopper and the Butterfly
2015. Linocut on heavy cream wove paper. Signed and dated, lower right, and inscribed A/P, lower left; red bird stamp, lower left. 7 3⁄8 ̋× 6 ̋ (18.7 × 15.2 cm). Proof before an estimated edition of 100 impressions. Reproduced in The Animals’ Vegan Manifesto, p. 110.
It Can Happen Here (Trump)
2016. Linocut on thin white Rives paper. Signed and dated, lower right, and numbered, lower left. 10 ̋× 8 ̋ (25.4 × 20.3 cm). From an estimated edition of 100 impressions. Reproduced in Resist!
Birth of Fascism
2017. Linocut on heavy white wove paper. Signed and dated, lower right, and numbered, lower left. 10 ̋× 7 1⁄2 ̋ (25.4 × 19.1 cm). From an estimated edition of 100 impressions.
Total Eclipse of Rationality
2017. Linocut on thin white Rives paper. Signed and dated, lower right, and numbered, lower left. 11 1⁄8 ̋× 8 1⁄2 ̋ (28.3 × 21.6 cm). From an estimated edition of 100 impressions.
Bringing into Conformity
2017. Linocut on white Rives paper. Signed and dated, lower right, and numbered, lower left. 11 ̋× 8 1⁄2 ̋ (27.9 × 21.6 cm). From an estimated edition of 100 impressions.
Court Capture (Kavanaugh)
2018. Linocut on off-white Rives paper. Signed and dated, lower right, and numbered, lower left; red bird stamp, lower left. 11 1⁄8 ̋× 8 1⁄2 ̋ (28.3 × 21.6 cm). From an estimated edition of 100 impressions.
Just Following Orders: “We Will Rape Your Mother”
2018. Linocut on cream Rives paper. Signed and dated, lower right, and inscribed A/P, lower left; red bird stamp and Murray printer’s chop, lower left. 11 1⁄8 ̋× 8 1⁄2 ̋ (28.3 × 21.6 cm). From the series “Just Following Orders (Gina Haspel).” Proof before an estimated edition of 100 impressions.
The Reward for Just Following Orders
2018. Linocut on cream Rives paper. Signed and dated, lower right, and numbered, lower left; red bird stamp and Murray printer’s chop, lower left. 11 1⁄8 ̋× 8 1⁄2 ̋ (28.3 × 21.6 cm). From the series “Just Following Orders (Gina Haspel).” From an estimated edition of 100 impressions.
Doomsday Clock
2019. Linocut on off-white Rives paper. Signed and dated, lower right, and inscribed A/P, lower left; red bee stamp and Murray printer’s chop, lower left. 18 ̋× 13 1⁄8 ̋ (45.7 × 33.3 cm). One of 10 artist’s proofs outside the edition of 22 impressions.
Sleepwalking into Extinction
2018. Linocut on thin off-white Rives paper. Signed and dated, lower right, and inscribed A/P, lower left; red bird stamp and Murray printer’s chop, lower left. 14 1⁄8 ̋× 21 1⁄8 ̋ (35.9 × 53.7 cm). Proof before an estimated edition of 100 impressions.
WARNING: PESTICIDES
2019. Linocut on thin Rives paper. Signed and dated, lower right, and numbered, lower left; red grasshopper stamp and Murray printer’s chop, lower left. 11 1⁄8 ̋× 8 5⁄8 ̋ (28.3 × 21.9 cm). One of only 3 impressions.
American Concentration Creche
2019. Linocut on off-white Rives paper. Signed and dated, lower right, and numbered, lower left; red donkey stamp, lower left, and Murray printer’s chop, lower center. 11 ̋× 8 5⁄8 ̋ (27.9 × 21.9 cm). From an estimated edition of 100 impressions.
Four Horsemen of the Apocalypse
2019. Linocut on off-white Arches paper. Signed and dated, lower right, and numbered, lower left; red Ignatz stamp, lower left. 11 ̋× 8 5⁄8 ̋ (27.9 × 21.9 cm). From an estimated edition of 100 impressions.
A Stable Genius
2019. Linocut on off-white Arches paper. Signed and dated, lower right, and numbered, lower left; red donkey stamp, lower left, and Murray printer’s chop, lower center. 10 1⁄8 ̋× 8 1⁄2 ̋ (25.7 × 21.6 cm). From an estimated edition of 100 impressions.
Fog of Fascism
2020. Linocut on paper. Signed and dated, lower right, and numbered, lower left. 30 ̋× 22 ̋ (76.2 × 55.9 cm). From an estimated edition of 40 impressions.
Cardboard Coffins
2020. Linocut on paper. Signed and dated, lower right, and numbered, lower left. 10 1⁄4 ̋× 8 5⁄8 ̋ (26 × 21.9 cm). From an estimated edition of 100 impressions.
Inciter in Chief
2020. Linocut on paper. Signed and dated, lower right, and numbered, lower left. 10 1⁄8 ̋× 8 1⁄2 ̋ (25.7 × 21.6 cm). From an estimated edition of 100 impressions.
Carnivorous/Coronavirus
2020. Linocut in two colors on paper. Signed and dated, lower right, and numbered 3/100, lower left. 10 3/8" x 8 5/8" (26.4 x 21.9 cm). From an estimated edition of 100 impressions.
United Front Against Fascism: VOTE
2020. Linocut in three colors on white Rives paper. Signed and dated, lower right, and numbered, lower left. 10 ̋× 8 1⁄2 ̋ (25.4 × 21.6 cm). From an estimated edition of 100 impressions.
Depopulation
2020. Linocut on paper. Signed and dated, lower right, and numbered, lower left. 10 3⁄8 ̋× 8 1⁄2 ̋ (26.4 × 21.6 cm). From an estimated edition of 100 impressions.
We Live in an Asylum
2020. Linocut on white Rives paper. Signed and dated lower right, and numbered, lower left. Red mouse stamp, lower left and Murray printer's chop lower center. 10 3/8" x 8 1/2" (26.4 x 21.6 cm). From an estimated edition of 100 impressions.
Stamped Out/Dance of Death
2020. Linocut with hand-coloring on white Rives paper. Signed and dated, lower right, and numbered, lower left. Red mouse stamp, lower left and Murray chop, lower center. 10 3/8" x 8 1/2" (26.4 x 21.6 cm). From the "Dance of Death" series. Hand-colored proof before an estimated edition of 25 impressions.
Vaxx/Dance of Death
2020. Linocut with hand-coloring on white Rives paper. Signed and dated, lower right, and numbered, lower left. Red bird stamp, lower left and Murray chop, lower center. 10 3/8" x 8 1/2" (26.4 x 21.6 cm). From the "Dance of Death" series. Hand-colored proof before an estimated edition of 25 impressions.